Organizer: Richard von Glahn, Universtiy of California, Los Angeles
Chair: Madeleine Zelin, Columbia University
Discussant: Georges Depeyrot, Ecole des Hautes Etudes en Sciences Sociales
The monetary system of imperial China—especially its persistent reliance
on low-value bronze currency rather than coining silver and gold—has long
bedeviled Western analysts and theorists. While the latter (and some scholars
of China) have often concluded that the Chinese monetary system simply defies
the laws of economics, the real problem may be conventional monetary theory,
which is primarily an artifact of the Western experience, especially the era
of the gold standard and the formation of national currencies in the nineteenth
century. The “peculiarities” of Chinese monetary history—for
example, multiple currencies, overlapping zones of circulation, and use of different
monies for different transactions—in fact reflect the historical norm,
not only in non-Western societies but in premodern Europe as well. Spanning
Chinese history from the Song dynasty to the twentieth century, the papers on
this panel analyze the operation of multiple and concurrent currencies within
regional and national monetary circuits and in so doing call into question the
norms of conventional monetary theory. Kuroda’s paper sets the stage with
an explicit challenge to the standard assumptions about the organization of
trade that underlie conventional monetary theory. The other contributions draw
on particular case studies—von Glahn on the monetization of silver in
the Southern Song, Vogel on Yunnan’s salt currency, and Weiman and Zelin
on the changing monetary standards in the Sichuan salt industry in the early
twentieth century—to explicate the underlying economic logic of the Chinese
monetary system.
Akinobu Kuroda, University of Tokyo
Since Aristotle, the invention of money has been attributed to the need to
find a common measure of value for different goods in order to enable exchange
between different parties. However, this assumption has prevented scholars
from noticing that one person can trade in multiple markets simultaneously using
different monies, raising the question of why plural monies co-existed in
a complementary relationship. Recognition of the complementarity among monies
enables us to better understand what appear to be the peculiar features of
Chinese monetary history: the continuous use of a low-value, mono-unit currency;
the precocious appearance of paper currency; the state’s reluctance to
coin precious metals; measuring the value of silver by (sometimes imaginary)
weight; and the use of various commodity monies. All of these phenomena can
be explained by the tendency of monies to circulate with particular currency
circuits and the balance that was achieved between a unified monetary standard
administered by the court on a national scale and the diverse adaptations of
this standard in regional and local markets. The history of a quarter of humanity
makes clear the principle that money is accepted neither due to its intrinsic
value nor to the enforcement power of the state; instead, the acceptability
of money must be analyzed in terms of currency circuits based on agreements
among local traders seeking stable means of transactions in their immediate
markets. Chinese monetary history provides crucial clues for conceptualizing
the operations of money and markets in a different way from the conventional
framework that began with Aristotle.
Richard von Glahn, University of California, Los Angeles
The monetary system of the Southern Song period was characterized by distinctive
regional monetary circuits and multiple currencies, including iron coin,
paper money, and silver. Although bronze coin remained the standard unit of
account in government finance and private trade throughout the Song, silver
developed into a key component of the Southern Song fiscal system, especially
after the introduction of the huizi paper currency. This study analyzes the
monetization of silver in the context of the Southern Song’s multiple
currency system. The severe decline in the output of state mints after 1100
forced the court to find substitutes for bronze coin. Silver acquired particular
importance as the hard currency reserve that backed the qianyin paper currency
circulating within Sichuan. Similarly, when the court at Hangzhou launched the
huizi paper currency in the 1160s, it also relied on silver rather than bronze
coin as the hard currency reserve for its paper notes. Thus, by the beginning
of the 13th century, silver had begun to usurp the place of bronze coin as a
store of value. Bronze coin remained the standard unit of account, but its circulation
diminished over the course of the Southern Song period. Indeed, the substitution
of paper money and silver for many of the functions once performed exclusively
by bronze coin may have been the catalyst for the massive export of Song coin
to Japan during the 13th century and paved the way for the creation of a purely
paper currency monetary system by the Mongol-ruled Yuan dynasty.
Hans Ulrich Vogel, University of Tuebingen
This paper will discuss Marco Polo’s references to the administration,
production, transportation, consumption, and use of salt in China during the
Yuan period. First, it will start with a short critical discussion of the passages
on salt in Frances Wood’s book. This will be followed by an investigation
of the references to salt both in Marco Polo’s Il Milione as well as in
Chinese sources, concentrating on salt production in Yunnan and the use of
salt currency there and in Tibet, in comparison with the production of salt
in Changlu in southern Hebei. The results of this systematic investigation will
provide further strong evidence for the camp of those scholars that are of the
opinion that Marco Polo went to China. The salt currency in southwestern China
is an interesting case in monetary history relating to such concepts as multiplicity
of and competition between currencies, the importance of small currencies,
and the interrelationship between monies, markets, and finance. Various forms
of salt currency were used in Yunnan, Guizhou and Tibet until the late imperial
period, in some places even up to the twentieth century. The monetary functions
of salt currencies will be elucidated, as well as its role in the exchange
of salt and fuel between the salt works and the indigenous population. Moreover,
it is interesting to take a closer look at the role of the state and the
market in the production, distribution and control of salt currencies.
David Weiman, Barnard College and Columbia University; Madeleine Zelin, Columbia
University
Instead of presuming the “universality” of money here conceived
as a unit of account, we document the historical evolution of monetary standards
in Zigong, Sichuan from the late Qing to the Republican period. We hypothesize
that the prevalence of multiple standards and the convergence to a single or
common standard will reflect the spatial patterns of the city’s dominant
salt industry, both its factor and product markets. As evidence we analyze the
monetary terms in nearly 700 contracts, mainly lease agreements, that span the
period. Our analysis clearly shows the shift from a variety of copper and silver
standards to silver-based standards after 1900, and finally to a single Yuan
silver and then paper standard after 1926. The first corresponds to a decisive
shift in the city’s trade from reliance on a variety of local markets
within Sichuan and adjacent regions to increasing dependence on imported
technologies indirectly via Shanghai. The second shift followed the independent
impact of policy changes dating from the mid-1920s, especially Guomidang currency
reforms in 1935. Finally, our data show the monetary disarray arising from the
late 1940s hyperinflation.
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