Sonal Khullar is associate professor of art history at the University of Washington and author of Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990, published by the University of California Press and winner of the 2017 AAS Bernard S. Cohn Prize.
To begin with, please tell us what your book is about.
Worldly Affiliations traces the emergence of a national art world in twentieth-century India and emphasizes its cosmopolitan ambitions and orientations in contrast to previous studies that have highlighted postcolonial difference or deviation from Western norms. I focus on four Indian artists—Amrita Sher-Gil (1913-1941), Maqbool Fida Husain (1915-2011), K. G. Subramanyan (1924-2016), and Bhupen Khakhar (1934-2003)—and situate their careers within national and global histories of modernism and modernity. These artists challenged the canons, disciplines, schools, and institutions of British colonialism and Indian nationalism, thereby modeling what Edward Sai ...
Read the rest of entry »