Noriko Manabe is associate professor at Temple University’s Boyer College of Music & Dance and author of The Revolution Will Not Be Televised: Protest Music After Fukushima, published by Oxford University Press and winner of the 2017 AAS John Whitney Hall Book Prize.
What inspired you to research this topic?
In 2011, I returned to Japan to finish my book on Japanese club musics (i.e., hip-hop, reggae, EDM), and I found that many of my contacts, like Rankin Taxi and ECD, had become involved in the post-3.11 antinuclear movement. (Both had recorded antinuclear songs previous to 3.11). I sensed their alarm, not only about the fallout from the nuclear accident itself, but from its implications for media coverage, collusion, freedom of information, and the future of Japanese democracy. Living in Japan on sabbatical in 2012, the urgency of this topic became evident to me. Therefore, I decided to complete a book on this topic first.
What obstacles did you face in this project? What turned out better/eas ...
By Lindsey E. DeWitt
On July 9, 2017, Japan received its twenty-first UNESCO World Heritage inscription, making a total of seventeen cultural sites and four natural sites (the full list can be accessed here). The newly designated UNESCO World Heritage site, “Sacred Island of Okinoshima and Associated Sites in the Munakata Region,” features a solitary islet just four kilometers in circumference in the middle of the Genkai Sea, some sixty kilometers from the northern part of Kyushu Island. The decision marks the culmination of a nearly decade-long effort and puts a spotlight on the rich religious and cultural landscapes of Kyushu and the broader maritime sphere of the Korean peninsula and the continent.
The island’s tiny size and remote location belies its great cultural and historical significance. Japan’s eighth-century chronicles Nihon shoki and Kojiki note Okinoshima as the abode of one of three female deities who descend from the sun goddess Amaterasu (the central deity of Jap ...
By Kathleen Burkinshaw
The journey that led me to write The Last Cherry Blossom, a book for middle-grade readers about the atomic bombing of Japan, began about eight years ago with one question. My daughter was in 7th grade at the time, and something that happened in her history class had upset her. They would be covering the end of World War II that week; after class, she overheard some kids talking about how they couldn’t wait to see the “cool mushroom cloud picture.” She asked if I would speak to her class about the people under the mushroom cloud that day—people like her Grandma.
I called my mother and asked if it was okay to tell others about her experience in Hiroshima. My mom was a very private person and never spoke about August 6th in public. When I was a young child, she told me she came from Tokyo. Only after I questioned her about the nightmares she had at the beginning of every August did she confide that she had actually been born in Hiroshima. She told me how she lost ...
Author of the middle-grades historical fiction book, The Last Cherry Blossom
Your discipline and country (or countries) of interest:
Historical fiction; Japan
How long have you been a member of AAS?
Why did you join AAS and why would you recommend AAS to your colleagues?
I want to be a part of a community that values Asian history and culture that I can learn from and contribute to. I visit with many schools to discuss my mother’s Hiroshima experience and The Last Cherry Blossom, and will be sure to mention the valuable information at #AsiaNow.
How did you first become involved in the field of Asian Studies?
I first became involved when my daughter was in 7th grade. Her class was studying World War II and she overheard some kids saying they couldn’t wait to see the “cool mushroom cloud” pictures. This deeply upset her and she asked me to visit her class and talk about the people under those now famous mushroom clouds—people like her gr ...