Noriko Manabe is associate professor at Temple University’s Boyer College of Music & Dance and author of The Revolution Will Not Be Televised: Protest Music After Fukushima, published by Oxford University Press and winner of the 2017 AAS John Whitney Hall Book Prize.
What inspired you to research this topic?
In 2011, I returned to Japan to finish my book on Japanese club musics (i.e., hip-hop, reggae, EDM), and I found that many of my contacts, like Rankin Taxi and ECD, had become involved in the post-3.11 antinuclear movement. (Both had recorded antinuclear songs previous to 3.11). I sensed their alarm, not only about the fallout from the nuclear accident itself, but from its implications for media coverage, collusion, freedom of information, and the future of Japanese democracy. Living in Japan on sabbatical in 2012, the urgency of this topic became evident to me. Therefore, I decided to complete a book on this topic first.
What obstacles did you face in this project? What turned out better/eas ...