FOONG Ping is Foster Foundation Curator of Chinese Art at Seattle Art Museum and author of The Efficacious Landscape: On the Authorities of Painting at the Northern Song Court, published by Harvard University Asia Center and winner of the 2017 AAS Joseph Levenson Book Prize, Pre-1900 Category.
To begin with, please tell us what your book is about.
The book is about ink landscape painting, one of the most distinctive features of Northern Song dynasty culture. It addresses how these works fulfilled diverse functions at court during the late 11th century—as forms of decoration, as a medium of social exchange, and even as an integral element of this pivotal period’s political history. Through landscape’s unique ability to communicate through embodiment, they became potent symbols of imperial authority, and later became objects through which exiled scholars expressed disaffection and dissent. The first part of my study focuses attention on how and why the Song imperial establishment—emper ...
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