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Posts Tagged 'Art History'

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#AsiaNow Speaks with Foong Ping

FOONG Ping is Foster Foundation Curator of Chinese Art at Seattle Art Museum and author of The Efficacious Landscape: On the Authorities of Painting at the Northern Song Court, published by Harvard University Asia Center and winner of the 2017 AAS Joseph Levenson Book Prize, Pre-1900 Category. To begin with, please tell us what your book is about. The book is about ink landscape painting, one of the most distinctive features of Northern Song dynasty culture. It addresses how these works fulfilled diverse functions at court during the late 11th century—as forms of decoration, as a medium of social exchange, and even as an integral element of this pivotal period’s political history. Through landscape’s unique ability to communicate through embodiment, they became potent symbols of imperial authority, and later became objects through which exiled scholars expressed disaffection and dissent. The first part of my study focuses attention on how and why the Song imperial establishment—emper ...

#AsiaNow Speaks with Sonal Khullar

Sonal Khullar is associate professor of art history at the University of Washington and author of Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990, published by the University of California Press and winner of the 2017 AAS Bernard S. Cohn Prize. To begin with, please tell us what your book is about. Worldly Affiliations traces the emergence of a national art world in twentieth-century India and emphasizes its cosmopolitan ambitions and orientations in contrast to previous studies that have highlighted postcolonial difference or deviation from Western norms. I focus on four Indian artists—Amrita Sher-Gil (1913-1941), Maqbool Fida Husain (1915-2011), K. G. Subramanyan (1924-2016), and Bhupen Khakhar (1934-2003)—and situate their careers within national and global histories of modernism and modernity. These artists challenged the canons, disciplines, schools, and institutions of British colonialism and Indian nationalism, thereby modeling what Edward Sai ...

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